Bibliography

 

Belton, John (1985). “Technology and Aesthetics of Film Sound” from Film Sound: Theory and Practice, edited by Elisabeth Weis and John Belton, pp63-73.

 

Bizzocchi, J. (20 (Bizzocchi, 2009)09). “The Fragmented Frame: the Poetics of the Split-Screen” from Media-in-Transition 6 Conference – stone and papyrus, storage and transmission, April 24-26, 2009, Cambridge MA. Online at: https://web.mit.edu/comm-forum/legacy/mit6/papers/Bizzocchi.pdf. Consulted 3rd August 2010.

 

Bolter, David J and Grusin, Richard (2000). Remediation: Understanding New Media MIT Press: Cambridge Massechusetts

 

Bordwell, David (1974). “Eisenstein’s Epistemological Shift”. Screen 1974 15(4):29-46; Oxford: John Logie Baird Centre and Oxford University Press

 

Branigan, Edward. 1992.  Narrative Comprehension and Film. Routledge, London

 

Butler, Judith. 1997.  The Psychic Life of Power:  Theories in Subjection USA, Stanford University Press.

 

Copjec, Joan. 1994. Read my Desire: Lacan against the Historicists Cambridge Massechussetts, October Books: MIT Press.

 

Gamman, Lorraine (1989). “Watching the Detectives: The Enigma of the Female Gaze” in

Larraine Gamman and Margaret Marshment, eds. The Female Gaze: Women as Viewers of Popular Culture. Seattle: The Real Comet Press.

 

Genette, Gerard, 1988. Narrative Discourse Revisited: An Essay in Method Cornell University Press, New York. trans. Jane E. Lewin.

 

Genette, Gerard. 1972.  Narrative Discourse:  An Essay in Method trans. Jane E. Lewin. Cornell University Press, NY.

 

Hughes, Ted. 1997.  Tales from Ovid: Twenty-four Passages from the “Metamorphoses”.  Faber and Faber. London

 

Lacan, Jacques. 1972-3.  On Feminine Sexuality, the Limits of Love and Knowledge: Encore – the Seminar of Jacques Lacan Book XX, Edited by Jacques-Alain Miller, Trans. by Bruce Fink, (W.W. Norton and Company, 1998)

 

Laplanche, Jean.  1998.  “Notes on Afterwardsness” in Essays on Otherness. Trans. Luke Thurston. Ed. John Fletcher Routledge. London  265.

 

Rieser, Martin and Zapp, Andrea, editors.  2002. New Screen Media Cinema/Art/Narrative UK, British Film institute: London

 

Verhaeghe, Paul.  1995.  “From Impossibility to Inability:  Lacan’s Theory of the Four Discourses”.  The Letter: Lacanian Perspectives on Psychoanalysis.   (Issue 5, Autumn 1995).      APPI (The Association for psychoanalysis and psychotherapy in Ireland). Dublin:  76 – 99.

 

Žižek, Slavoj Welcome to the Desert of the Real, 2002,  Verso. London:

 

 

Filmography

ADAMS, JOHN (2005).  Hindsight. http://www.bristol.ac.uk/drama/expandedcinema/hindsight/ Consulted 12th February 2011

 

EISENSTEIN, SERGEI M (1928) Ivan the Terrible Part 1 and 2 [Off air recording 2011]

 

EISENSTEIN, SERGEI M (1928) October [Off air recording, DVD) 2011

 

HOCKNEY, DAVID Cited in ITV 1 (2010). [Off air recording. DVD] The South Bank Show Season 37 Episode 6 David Hockney Revisited, May 2nd 2010.

 

NAM JUNE PAIK (1974) TV Buddha.  You Tube Video “Why Nam June Paik’s ‘TV Buddha’ Is So Cool” Consulted 12th February 2011

 

VIOLA, BILL (2003) Passions (National Gallery 2003)  http://www.billviola.com/  Consulted 12th February 2011

 

VIOLA, BILL (1996) The Crossing.  http://www.billviola.com/  Consulted 12th February 2011

 

 

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