| Respondent | Did you enjoy the installation | Would you like to see the installation again | Age | Gender | Ethnicity | Religion | Please describe one or two things you liked most about the installation | Please describe one or two things that you disliked about the installation | Please describe in a few words what you thought the process was about | If you know the myth, do you see a connection. Did the installation add anything to the myth? | Please describe the process of choosing the ending. Whatdid you think of this process? | Approximately how many people watched at the same time? | Would you have preferred to see the installation with more or less people? Or about the same? | What did you think about the way screens were arranged? | What did you think about the set and location used in the installation? | What did you think about the use of sound in the installation? | Have you seen other installation dramas? Would you like to see other dramas as installations? If so, what kinds of dramas would you like to see as installations? | Generally, what do you think of the idea of mixing drama, visual art, film and theatre? |
| 1 | 4 | 3 | 25 | m | white | atheist | The use of multiple screens was particularly interesting | The characters were slightly confusing and bland at times | multiple screens, experimental filmmaking | no | I felt the process was very fun and enjoyable. The coice of 3 options is far better than two. | 8 | same | possibly more spaced out | very good and immersive | not dramas as such, but they do seem very interesting. | Interesting concept enjoyable to watch. Not sure if it's to my taste. | |
| 2 | 5 | 3 | 25 | m | british | buddhist | Interaction, the ability to move around in the viewing environment. | Needed more dim lighting to see. I didn't know where the entrance was. | Multi-screening, so what I was felt interactive within the film and then the interaction | Not 100% but felt the power of the Gods when looking over the world. | Good but the answer were vague, to me fate means many options. For me fate is the change option. | 8 | same | Would like a more 360% view | Good but more could have been done | Need more like smells and soft lighting when entering | Depends on kind of installation | Very good, should be done more often, but needs more funding for better effect. |
| 3 | 4 | 5 | 25 | f | british | - | I like the multiple screens and timing of the piece. I also liked the touch screen | - | It is about the Greek Gods, Hera and Zeus, combined with the modern distorts choice by humans | gave the story more 3D perspective | I liked being able to choose the endings. It was good to see how the audience reacted as a whole. | 8 | same | I thought it was good because you had to move. | The sound was very immersive enabling me to feel part of the installation. | I liked the set up and the trees | I would like to wath other installations. | It is very clever. |
| 4 | 4 | 4 | 25 | m | white | none | New experience of a film with different screens | longer, more time to expand on themes | free with influence of nature | was unexpected, interesting twist on idea of a film | 7 | more, make voting more interestin | Nice to have to keep looking behind | |||||
| 5 | 4 | 4 | 25 | m | Irish | The innovative use of multiple screens | Trees were in the way and difficult to turn and see the screen. | The story of the God's fight affecting people | - | Innovative, and some people are cold inside | 7 | more, make voting more interestin | awkward with the screen behind | good use of sound | very interesting and appropriate | I wouldn't mind | Pretty good | |
| 6 | 4 | 2 | The five screens was good. I liked the way it was used. The stock footage of Iraq and stuff | I don't think the voting worked, I don't think any of us were invested enough in the characters so it was pretty much a random choice | The story of Echo and Narcissus | It ended modern dialogue which I liked | 8 | more, make voting more interestin | trees and computer got in way | very good | ||||||||
| 7 | 4 | 4 | 25 | m | white | - | The five screen concept worked well. The voting system. | Story needed to be longer | Human love/sexuality and the differences between men and women | Yes, it shows the Gods see all | Very inventive and non-linear | 7 | less, as people moving around is distractin | Good execution | good execution | Needed more scope - very british | no, but it has become more appealing | It has potential to either be a disaster or a success |
| 8 | 5 | 5 | 30 | f | white | christian | Everything. Baby loved stimulation | 2 | Saw three times. Came back at different times during the week. | |||||||||
| 9 | 5 | 5 | 25 | multi-screen all in continuity. Gives the viewer chance to be in the centre of the short drama | interactive, observe | |||||||||||||
| 10 | 5 | 5 | 25 | f | white | agnostic | I loved the placement of theGods and the narrator. Felt as if we were part of the installation | The choice to be made clear. Confused at first. | The audience feels a part of the film | don't know the myth | I chose to save them. It was very cool to have that choice. I wanted to know the other endings | 3 | more, would have been able to see percentage of choice | interesting. Brought more elemnts to the story | It made you go to where the picture was | all the locations were good apart from the heavens | I would like to see a modern day version. Different story but similar structure | Why not? |
| 11 | 5 | 5 | 25 | f | black | agnostic | The multi screens and the way they were used. I also liked the soundscape | The acting was sometimes a bit over the top | Interesting, wonderfully shot, thought provoking | don't know the myth | I wanted to see them get together in the end | 4 | same | I enjoyed the way it was arranged. Can't see it working another way | I thoroughly enjoyed the sound | The set for the gods looked somewhat unreal, everything else looked great. | I haven't. Possibly more by Coral Houtman | The way it was done here was very good. It needs to be really thought out though or it could impede the viewing |
| 12 | 5 | 5 | 54 | M | british | agnostic | Integration of vision and sound. Thought provoking | Humanity | enjoyed participation | 25 | less, couldn't see the back screen properly | OK, but could have been more symmetrical/equal | good | good | First one, would like to see more | yes, interesting | ||
| 13 | 4 | 4 | 26 | M | white | - | Use of landscape, atmosphere/presentation of installation | Some cheesy dialogue, use of green screen, being able to see the computer screens and people controlling the installation from above was distracting | love, war, human emotions | lovely idea...great to include audience participation. I wanted them to come to a sad ending but of course the audience chose a happy ending. So Hollywood! | 30-80 | more, more people to vote | great concept worked really well. Forces audience to move about instead of being passive viewers | ok | Great locations. Would have preferred less blue/greenscreen | great idea | ||
| 14 | 4 | 3 | 25 | m | white | none | Creativity of the multiscreen | timing of the screens a bit offputting at times. Some editing offputting/fades | It's a creative piece about the Gods leaving humans to carry on being 'fools' only to overcome our problems | don't know the myth | very interesting and to get audiences involved, but I didn't see what I chose. | 20 | same | good, especially the back screen (made you part of the film) | average | somewhat interesting, nothing mind blowing | none, would maybe like to see more sometime. Mystery/detective drama | good and should be encouraged. |
| 15 | 3 | 2 | 25 | M | white | atheist | screen placement behind audience | low production value and theatrical, over the top acting | experimentations with visual storytelling methods | don't know the myth | awesome to see how people react to the story by making the choice | 15 | more | cool | cheap | would be interested in seeing a detective | enjoy it if it's innovative | |
| 16 | 4 | 3 | 28 | M | british | none | five screen setup | outdated mythology mixed with 00's history | acceptance and lack thereof | don't know the myth | good idea but misled by actors saying "save them" | 15 | less, so I can see the screens | good | good | good | interesting, could use better cameras however | |
| 17 | 4 | 4 | 26 | f | white | none | very creative, sound was amazing | The sitting space (the trees distance my view and that made me sad) | human nature and choice | yes, it added several perspectives | more encouragement to vote! Well done though | 15 | less, more space to move around | good choices | simply amazing | no set in the middle unless small | no, and I'd like to see some more | realistically difficult |
| 18 | 2 | 4 | 20 | f | white | spiritual | acting great, multiple endings | costume | greek tragedy, Gods, classical myths | yes, choice, the viewers choice | ||||||||
| 19 | 5 | 4 | 25 | f | white | Having several screens to see things on | The back screen. I kept turning to look when nothing important was on | The gods and their actions versus the actions of humanity | don't know the myth | Good, but I was curious about other endings | 18 | any, like to see other people choosing | Really good except the back one | Good, emphasized important moments | Great location and setting - atmospheric | I've seen none and would like to. Similar stories to this - dilemmas | I was skeptical at first, but after seeing it, I like the idea. | |
| 20 | 4 | 4 | 35 | F | white | landscape | had to be told what to do. | |||||||||||
| 21 | 5 | 5 | 50 | M | usA | chance elemen ts. Merthyr Mawr | chance and fate | Good but didn't want to interfere as life has no agency | 3 | very interesting | very interesting | very interesting | Like to see more | Like to see more | ||||
| 22 | 4 | 4 | 50 | F | USA | |||||||||||||
| 23 | 4 | 4 | 50 | M | USA | |||||||||||||
| 24 | 4 | 4 | 25 | F | black | none | The fact that you gave use the freedome to have our own interpretation of the piece by the use of multiple screens | nothing really | the gods observing humans and nature, or possibly nature observing the complexities of humans and the gods | It put the audience on the spot and put them in the position of choice or power which I appreciated | 18 | same | I appreciated it very much | It gave a sense of unease, a sense of uncertainty | appropriate | No, and yes | mixed very nicely | |
| 25 | 5 | 4 | 25 | M | Welsh | The interactive options got the audience involved. Multiple screens giving the film a more atmospheric feeling | The seats were placed in the centre making it hard at some points for the viewers to look back and forth between the screens | about lust and love between two gods with various incidents that happen throughout the film | It was a good idea to get the audience involved, it shows that people have a chance to show how they truly feel about the characters and the situation | 16 | same | well arranged and presented | well put together | very well set a lot of blue screen effects | action/fiction/dramas | amazingly good idea, gives a better view of these 3 elements at the same time. | ||
| 26 | 4 | 4 | 32 | none | use of props, production style relative to content | found footage | decisions about love and self | very good fun | 20 | less or as an individual | made sense | OK, could have been more fantastic | worked in general | horror/grand guignol | underused | |||
| 27 | 5 | 5 | 25 | m | Multiple use of sound and image, done creatively, on several screens. The atmosphere added with the use of images | the benches - not able to see | Juxtaposing the modern world situation with the fictional drama of individuals be they gods or simple human beings | an interactive opportunity of immersing the viewer in the action | 16 | good | Really interesting as it creates the required atmosphere | appropriate to the world of the film | a really great concept that, if done well, could be breathtaking | |||||
| 28 | 5 | 4 | 25 | m | white | christian | The way the screens below occasionally represented what the gods were feeling | the use of the screen behind could have been made clearer earlier on | human fate | It could have been a bi clearer. It took me a few seconds to work out that we had to vote | 15 | larger. One improvement might be to show the real time voting on the screen | the use of the rear screen could be been made clearer earlier on | interesting how it related to the images | good | never before, I would like to see more | very interesting as there are endless possibilities | |
| 29 | 4 | 3 | 25 | m | british | christian | Novel way of attracting the audience's attention through the use of multipe screens. This also allowed the audience to have a unique experience by choosing their focal points | sound wasn't always clear or synched | 16 | same | calming so provided interesting contrast to many images | No, and yes, style suits Greek tragedies and use of chorus | interesting as a one off | |||||
| 30 | 4 | 4 | 25 | m | white | none | The democratic nature of the form and the images, the freedom to edit the film with your bare eyeballs | When only one screen was used to show the action. Action should be constantly divided | Freedom of spectator | Echo and Narcissus as US foreign policy vs Islamic nationalism | Good idea. Give no indication to the audience what ending is "superior" | 16 | larger. This is an exercise that requires many witnesses | Fine, As far as I'm concerned, the more the better | Really interesting as it creates the required atmosphere | Reasonable. Exterior scenes were brought off pretty well | Opaque ones, imaginary ones. | I'm all for it. |
| 31 | 4 | 5 | 25 | F | martian | geddi | The three floor screens showed the one scene from all angles/points of view. There was a screen behind you. | Didn't realise the screen behind until later on. | The story and backstory of Echo and Narcissus | Didn't realise we had to press button at first but really liked it! | 16 | larger, for more people to choose ending unbiased | Really good but where I was sitting, couldn't see back screen | Really good | Perfect - went with the story and set the scene | At first thought it was an aircraft, diff screens = diff screens on plane - war? Something like that. | If done right, amazing. If not, and can easily be done wrong, dangerous | |
| 32 | 4 | 4 | 25 | f | white | none | multiple screens, it gave more to the story, interactive aspect, gives audience control to change it. | didn't notice screen at back until halfway through. Touch screen, again, needs to be noticeable when in use | % of votes was good, means the group of people as a whole have a chance to say what they want. | 16 | same. | Good. Could see them all, one at the back needed to be more noticeable. | It was good having it from different directions | I've not been to something like that before but I enjoyed it and would like to see more. | It worked well. | |||
| 33 | 4 | 4 | 25 | f | white British | christian | Multiple screens were a good way to get the audience to participate. Good storyline | difficult to follow at times | Echo and Narcissus | Interesting idea | 16 | same. The group size was fine as it provoked interesting discussions | good layout | sound was good and valuable to the story | creatced a good realism | difficult to pull off but attempts will be interesting. | ||
| 34 | 5 | 3 | 25 | m | white | atheist | multiple screens | The story of Echo and Narcissus and human nature | very interesting | 17 | same | interesting. | Pretty good | good | Horror would be interesting | interesting | ||
| 35 | 4 | 3 | 25 | m | chinese | christian | Interactive ending | slightly disorienting multiple screens | Greek gods trying to resolve issues | Easy | 20 | same | my neck hurts a bit from it | good | It worked well | Interesting concept | ||
| 36 | 4 | 3 | 25 | m | white British | jedi | It was different to anything I had seen before | Little bit disorientating | It's about Greek mythology, Greek gods and trying to make work | Good, could use spotlight | 20 | same | different. My neck hurt | interesting | It was calming | no | It's different, occasionally could be interesting | |
| 37 | 4 | 4 | 25 | f | white | none | The reflection of the boy in the water. The choice of actors/actresses | The rock woman was a bit scary. I found it a bit awkward in the 'adult scenes' | About love and power and making decisions | I didn't quite understand the concept | This was fun and rather 'upbeat' when it comes to technology but didn't relate well to story because of the modernness. | 18 | smaller as people got in the way of the screen | It was good although the gods were high up the 'earth' should have been opposite as though they were looking down | It was good because it showed me where to look | again good | It was interesting to watch, not seen it before so it was refreshing. | |
| 38 | 5 | 5 | 25 | f | white British | agnostic | multiple screen, the gods up high and eveyone else underneath them | the choice of ending | human choice and love | I didn't like having to choose and ending. I wanted the film to tell me what the ending was. | 2 | - | I loved the way the screens were set out | detective story | I love being able to watch something not knowing whether it is a film or something else. | |||
| 39 | 4 | 4 | 21 | F | British caucasain | lapsed catholic | The immersion and lack of specific objectivity | The middle computer screen used to vote was a bit too far forward. Needed more immersion | Added a lot of extra perspective | Democratic, unlike gods and people can be. It was interesting | 2 | Both, smaller would be easier to see, but larger would be better for vote | different. My neck hurt | nicely subtle at times and grounding | nice contrast to the black surround and typical of "nice earth" | I'd like to see more surreal and immersive installations. I like ones which capture and ground you, losing sense of time and ourselves. | I'm all for any combination that works | |
| 40 | 5 | 5 | 65 | f | Welsh | none | Multiple screens, interesting and intriguing use as a separation device | The Tiresias screen at the back was disconcerting - couldn't take it in at the same time as the others. | Yes, I wasnt aware of the Zeus Hera connection | Didn't do this | 1 | larger, share ideas | Back screen problem | excellent use of voice and the stringed instrument added to the wistful mood | Beautiful | Never seen one before, a promenade performance of a play is the nearest. King Lear might be interesting | Haven't given it much thought - film is obviously useful as a backdrop for drama | |
| 41 | 5 | 4 | 60 | m | white British | none | Flow between the different screens | Screen at end difficult to see. Finding exhibition - went down the wrong stairs | use and abuse of power | yes, gave a dramatic interpretation | interesting but sitting sideways to computer screen didn't immediately realise it was interactiveq | 1 | larger | simple and effective characters and gods are facing each other | nicely balanced | Great location, should be used more. Simple but effective set. | no | Worked well here and there must be lots of other new or old stories that could be told this way |
| 42 | 4.5 | 4 | 64 | f | white British | - | The use of the natural world in stills, movement and sound. Echo's singing voice | Man taking responsibility for his own actions (even if the Greek Gods have never been good role models) Trouble and strife | Interesting attempt to involve audience | 1 | Evocative. Natural world verging on idyllic | Natural world verging on the idyllic. Modern, turbulent | Possibly. Different. I like the mixing of mediums | In favour | ||||
| 43 | 5 | 4 | 58 | f | white British | none | The sense of being surrounded by often beautiful scenes | I felt the message was rather too explicitly insisted upon | Yes and yes but it would take an essay. | Entertaining | 20 | SmallerAlso tried it with smaller and it was better | I liked the oddity of Tiresias behind me | Excellent | Essentially, I would trust the filmic elements more and be less insistent on spelling out the narrative | Generally satisfying, or at least can be. | ||
| 44 | 5 | 4 | 33 | m | white caucasian | none | chronotopical experience, interaction | projectors/monitors had different colour tints | phenomenological experience of mult-screened narrative | I found the mythical context secondary. It was more about the experience. However, the myth of Echo and Narcissus could be extended onto spectators if there were mirrors in the room | Works well and reflects multi-platform consumption | 2 | same. Due to mirror neurons people are influenced by other people in enclosed spaces | well done, it kept me moving around | could be improved in quality and direction | great | no. Any drama could work | Great but if the content does not link to the type of installation, it could become Brechtian and post-modern for the sake of it. |
| 45 | 2 | 1 | 70 | f | Welsh | probably | Landscape cinematography. Very generous, lots to look at and think about | homosexuality | I needed prompting but was happy to choose | 1 | ||||||||
| 46 | 4 | 4 | 27 | m | white | christian | Landscape tracking shots were effective but were somewhat more subtle than the acting | The physical installation space could be used to place viewer further into the middle of the action | I read this as situating the dubious narcissism of Echo and Narcissus in relation to human conflict, divine indifference andthe local landscape | It had the potential to locate the myth in relation to local meanings of place | The computer was fairly slow | 2 | Could have used side screens as well | Liked different layers of sound | Could have developed location/significance of this | Good idea | ||
| 47 | 3 | 3 | 65 | f | white | christian | The landscape | acting poor, too much going on | battle of the sexes, stupidity of human nature | Yes, I thought this is a good idea and liked the idea of 3 possible endings | 3 | confusin | good | good | life is a mixture of all | |||
| 48 | 5 | 5 | 68 | f | white | spiritual | change choice. Ask Gods to save Echo, confusing | |||||||||||
| 49 | 5 | 4 | 70 | f | white | none | landscapes, remote controls distribution of images between screens | wanted olive trees bunched up more. Wanted to be able to have back view as well as inside view. Acting a bit big | ok | 3 | L | lovely | ||||||
| 50 | 5 | 4 | 70 | f | white | none | landscape | |||||||||||
| 51 | 5 | 4 | 70 | m | white | none | ||||||||||||
| 52 | 5 | 5 | 80 | f | white | none | ||||||||||||
| 53 | 5 | 5 | 80 | f | white | none | ||||||||||||
| 54 | 4 | 4 | 19 | m | white | none | Effectiveness of interacting between screens | Production values suffer for technical aspects of installation | challenging archetypal characgters, gender struggle | 2 | larger | very interesting, well thought out, symbolism shone through | very good | very good | ||||
| 55 | 4 | 4 | 20 | f | How different screens interacted | gender differences, spiteful women | It added to the feeling of being in the film | 3 | larger | It forced the audience to engage | Very well done, mono wouldn't have been as good | good for theme | this was first, installations are interesting | Visual art is important | ||||
| 56 | 4 | 4 | 20 | The blurring of lines when it comes to gender | One solid meaning wasn't entirely clear | It gave the piece an original quality and mystery | 3 | Made you feel part of it | It worked with story and themes | |||||||||
| 57 | 4 | 3 | 19 | m | white | none | Sync screens and the medium in which story is told | Incorrectly exported middle screen. Poor keying | intergender war and world effects thereof | Initially confusing. An underused concept | 4 | correct | correct | lemons and orange confused initialy | Dante's Inferno | under used and underappreciated | ||
| 58 | 4 | 3 | 21 | m | white | atheist | The relationship between Zeus and Hera | A relationship between husband and wife that affects everyone | I felt like it showed some character of the people I watched it with | 3 | larger, would be given more choice for the end | Interesting although sometimes lack of audio cues made me miss something | good | Added to the film | No | Seems like a good idea | ||
| 59 | 4 | 4 | 19 | w | white | none | Interactive nature. Mixture of stock and film footage | More options should have been available | The battle of the sexes. The making of the sexes | I really enjoyed the process. It added depth | 4 | larger | Very well thought out | Very atmospheric | relevant and pretty | thrillers and adventure fantasy | I enjoy this idea | |
| 60 | 4 | 4 | 25 | f | none | Multiple Screens, optional ending (makes me want to rewatch) | nothing in particular | I really liked the idea | 5.7. | same | I really liked it. It was as if the blind woman was watching everyone else. | The contrast between the deomonstration footage and the filmed parts was good | no, cool to see more | Great idea | ||||
| 61 | 4 | 4 | 20 | f | white | none | Multiple Screens, optional ending, set up of installation, sound | I enjoyed the process, it worked very well | 7 | same | worked very well | liked it, felt like the sound was coming from the different screens | I liked the nature shots very much | Works very well |